The Expression of Confucian Culture in Chinese, Japanese, and Korean Film and Television Works
DOI:
https://doi.org/10.61173/3hajnj20Keywords:
Confucian culture, Chinese drama, Korean drama, Japanese film and television works, cross-cultural communicationAbstract
Confucian culture, as an important spiritual heritage of East Asian culture, has had a profound impact on the ethical concepts, behavioral norms, family structures, and personal growth of the societies of China, Japan, and South Korea. This article mainly focuses on Chinese, Japanese, and Korean film and television works, aiming to systematically analyze how the core concepts of Confucian culture are presented, interpreted, and reshaped in the film and television narratives of various countries. Through the characteristics reflected in their film and television works, it is found that the expression focus and narrative style of film and television works in the three countries are different. Based on the analysis of the above issues, the reason is due to the different social and historical backgrounds and socialization methods of various countries, which lead to different expressions of Confucian culture in film and television works in different countries. Finally, from a cross-cultural communication perspective, this article analyzes the positive role of film and television media as a way of cultural communication and exchange in expanding cultural development paths and promoting cultural exchanges in various countries. Therefore, this article proposes that in future cultural communication and exchange, it should continuously absorb the experience of excellent cases, create better works, enrich communication forms, and expand the influence of local culture.
References
[1] Fei X. Rural China. Chengdu: Tiandi Publishing House, 2020.
[2] Yoon S. History of Korean confucianism. South Korea: Dooyang Publishing House, 2016.
[3] Yu S. Confucian culture and the spirit of Japanese Bushido. Western Journal, 2020, (09): 123-125.
[4] Chalaby J K. Streaming giants and the global shift: building value chains and remapping trade flows. Journal of Communication, 2025, 75(2): 112-124.
[5] Liu S, Liu X. Confucianism in Japanese Family-themed films: Taking Tokyo kazoku and Manbiki kazoku as Examples. Cloud, 2024, (51): 52-55.
[6] Li X. Perspective on the inheritance and innovation of traditional culture from the popularity of Korean dramas. Journal of Taiyuan University of Technology (Social Sciences Edition), 2005, S1: 106-108.
[7] Yan C. A study on female Consciousness in Japanese and Korean TV dramas in the new century. Hunan Normal University, 2016, 12.
[8] Ariffin J T, Bakar H A, Yusof N H. Culture in Korean drama towards influencing Malaysian audiences. International Journal of Innovative Research in Engineering & Management, 2018, 5(1): 10-14.
[9] Hu Z, Zhang G. The dissemination of Japanese and Korean TV dramas in China and their aesthetic cultural reflections. Asia Media Research Centre, Communication University of China. 2005 International Symposium on Northeast Asian Communication Studies--Cultural Exchange Papers or Highlights in Northeast Asia Communication University of China, 2005: 153-159.
[10] Xu N, Liu R. Research on the communication and reception of film and television works from a cross-cultural perspective. Drama House, 2025, (05): 151-153.
[11] Ma X. Research on cross-cultural communication of Chinese and Korean film and television drama. Lanzhou University, 2013.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 by the authors.

This work is licensed under a Creative Commons Attribution 4.0 International License.
